top of page
The Beautiful Minds
The Beautiful Minds (2024)
Original Work by Jarrett T. Camp
Dimensions: 36 x 43 inches
Medium: Stippling and colored pencil on archival paper.
Time Invested: 739 hours
This piece is a conceptual map of how the brain processes speed, thought, and transition. Symbolism is found in an inverted raven, axon-like tunnels, and layered textures showing how ideas form.
This value reflects time invested, concept development, studio overhead, and the artist’s standing in the fine art and gallery world.
Original Work by Jarrett T. Camp
Dimensions: 36 x 43 inches
Medium: Stippling and colored pencil on archival paper.
Time Invested: 739 hours
This piece is a conceptual map of how the brain processes speed, thought, and transition. Symbolism is found in an inverted raven, axon-like tunnels, and layered textures showing how ideas form.
This value reflects time invested, concept development, studio overhead, and the artist’s standing in the fine art and gallery world.
The Comatose
Title: The Comatose
Medium: Ink & Colored Pencil
Size: 36 x 46 inches
Time Spent: [Time not stated; assumed 5–7 months based on size and technique]
Year: 2022
Status: SOLD (to Hall of Fame athlete Carmelo Anthony)
Conceptual Summary
The Comatose explores the science and spirituality of sleep through a highly personal and symbolic lens:
Left vs. Right Brain: The piece maps analytical vs. creative processes and their interaction during rest.
Medicinal Plants: Subtle references to herbal sleep aids (suggesting restoration or transformation)
Portrait of the Artist’s Wife: Emotionally anchors the piece with love, intimacy, and trust
Hidden Elements: Dopamine flows, neurotransmitters, and brainwave-like patterns
Perspective Shift: When flipped, the piece reveals a Japanese garden—a metaphor for inner peace and lucid dreaming.
This is a visually stunning, multi-layered meditation on consciousness, love, and the physiology of rest.
Owned by Carmelo Anthony, a globally recognized sports figure.
$135,000 USD
Why This Is Justified
The collector base (Carmelo Anthony) opens your work to a broader luxury and celebrity market
The scale and technique of this piece alone (stipple, colored pencil, surreal mapping of the mind) are museum-grade
The emotional fusion of science, relationships, and nature adds thematic weight that few artworks can achieve
The rotation effect (sleep → garden) makes this piece experiential, not just visual
Medium: Ink & Colored Pencil
Size: 36 x 46 inches
Time Spent: [Time not stated; assumed 5–7 months based on size and technique]
Year: 2022
Status: SOLD (to Hall of Fame athlete Carmelo Anthony)
Conceptual Summary
The Comatose explores the science and spirituality of sleep through a highly personal and symbolic lens:
Left vs. Right Brain: The piece maps analytical vs. creative processes and their interaction during rest.
Medicinal Plants: Subtle references to herbal sleep aids (suggesting restoration or transformation)
Portrait of the Artist’s Wife: Emotionally anchors the piece with love, intimacy, and trust
Hidden Elements: Dopamine flows, neurotransmitters, and brainwave-like patterns
Perspective Shift: When flipped, the piece reveals a Japanese garden—a metaphor for inner peace and lucid dreaming.
This is a visually stunning, multi-layered meditation on consciousness, love, and the physiology of rest.
Owned by Carmelo Anthony, a globally recognized sports figure.
$135,000 USD
Why This Is Justified
The collector base (Carmelo Anthony) opens your work to a broader luxury and celebrity market
The scale and technique of this piece alone (stipple, colored pencil, surreal mapping of the mind) are museum-grade
The emotional fusion of science, relationships, and nature adds thematic weight that few artworks can achieve
The rotation effect (sleep → garden) makes this piece experiential, not just visual
The Take Over
Title: The Takeover
Series: The Conform (Installment 2 of 3+)
Medium: Hybrid — Ink & Digital Pointillism
Dimensions: 25 x 42 inches
Time Spent: 3 months (~300–325 hours)
Year Created: 2024
The Takeover continues a dystopian narrative where aliens disguised as roses prepare a psychological and viral invasion of Earth. In this installment, the focus is the prelude to destruction — the moment before the alien virus is deployed.
The piece uses visual metaphor to expose:
The manipulative systems of power during COVID-19
The emotional and psychological war experienced by the public
The death of will as a form of control—represented by the virus making humans want to die
This is not just a sci-fi image;
It's a commentary, social critique, and emotional allegory, delivered through hybrid pointillism—a rare and technical medium that blends hand-drawn work with digital dot formation.
$80,000 USD
Why It Earns This Valuation.
I have invested time and technique that is rarely seen in hybrid media
You’ve built a series with narrative value, which increases demand for collectors
The work deals with universal trauma, conspiracy, and power—all extremely resonant themes in contemporary art
As your reputation and series grow, each piece becomes more integral to the whole collection’s value
Series: The Conform (Installment 2 of 3+)
Medium: Hybrid — Ink & Digital Pointillism
Dimensions: 25 x 42 inches
Time Spent: 3 months (~300–325 hours)
Year Created: 2024
The Takeover continues a dystopian narrative where aliens disguised as roses prepare a psychological and viral invasion of Earth. In this installment, the focus is the prelude to destruction — the moment before the alien virus is deployed.
The piece uses visual metaphor to expose:
The manipulative systems of power during COVID-19
The emotional and psychological war experienced by the public
The death of will as a form of control—represented by the virus making humans want to die
This is not just a sci-fi image;
It's a commentary, social critique, and emotional allegory, delivered through hybrid pointillism—a rare and technical medium that blends hand-drawn work with digital dot formation.
$80,000 USD
Why It Earns This Valuation.
I have invested time and technique that is rarely seen in hybrid media
You’ve built a series with narrative value, which increases demand for collectors
The work deals with universal trauma, conspiracy, and power—all extremely resonant themes in contemporary art
As your reputation and series grow, each piece becomes more integral to the whole collection’s value
The Boy In The Kite
Title: The Boy In The Kite
Series: The Conform (Piece 1 of 2)
Medium: Hybrid – Ink and Digital
Dimensions: 32 x 22 inches
Creation Period: 3 months (300 hours)
Date Completed: 2024
Statues SOLD
Current Status: SOLD
“The Boy in the Kite” is a poetic sci-fi interpretation of the COVID-19 pandemic. It portrays a child—representing the innocence of the global population—flying a kite beneath stormy clouds. Above him, two alien roses subtly inject a virus into the air, referencing the beauty and deception of misinformation.
When viewed upside down, the piece reveals the face of a woman and the virus entering her nostrils—symbolizing the penetration of falsehoods into the minds and bodies of the public. The roses reflect how aliens (or forces of harm) use beauty and familiarity to go undetected—a theme that defines The Conform series.
This work took 300 hours over three months to create and is foundational in Camp’s sci-fi body of work. It remains a pivotal piece both visually and conceptually.
Series: The Conform (Piece 1 of 2)
Medium: Hybrid – Ink and Digital
Dimensions: 32 x 22 inches
Creation Period: 3 months (300 hours)
Date Completed: 2024
Statues SOLD
Current Status: SOLD
“The Boy in the Kite” is a poetic sci-fi interpretation of the COVID-19 pandemic. It portrays a child—representing the innocence of the global population—flying a kite beneath stormy clouds. Above him, two alien roses subtly inject a virus into the air, referencing the beauty and deception of misinformation.
When viewed upside down, the piece reveals the face of a woman and the virus entering her nostrils—symbolizing the penetration of falsehoods into the minds and bodies of the public. The roses reflect how aliens (or forces of harm) use beauty and familiarity to go undetected—a theme that defines The Conform series.
This work took 300 hours over three months to create and is foundational in Camp’s sci-fi body of work. It remains a pivotal piece both visually and conceptually.
The Confusion
Title: The Confusion
Medium: Ink and Colored Pencil
Size: 30 x 21 inches
Time Invested: 6 months 600 hours
Created: Circa 2000
Exhibition History:
2005—Smithsonian Institution, S. Dillon Ripley Center, Washington, D.C.
Current Status Value:
This valuation reflects the time-intensive process, the museum exhibition history, the chilling pre-9/11 imagery, and the significance of the artist’s emotional and prophetic voice.
Part of Series: Standalone masterpiece
Concept Summary
"The Confusion" is a symbol-heavy narrative of emotional misjudgment and unexpected foresight. At first glance, the viewer sees a surreal garden made of bricks—a metaphor for the illusion of permanence in a relationship. Hidden within this landscape is a crying face, representing heartbreak.
But when flipped upside down, a chilling revelation emerges: the Twin Towers of New York City, drawn in precise detail before the events of 9/11 occurred, surrounded by an eerie purple haze. Created in the year 2000 and exhibited at the Smithsonian in 2005, this piece unintentionally foreshadowed national trauma while delivering an intensely personal message about lost love.
This was one of the first museum-displayed works by Jarrett T. Camp and remains a spiritual, emotional, and historical cornerstone in his artistic journey.
Medium: Ink and Colored Pencil
Size: 30 x 21 inches
Time Invested: 6 months 600 hours
Created: Circa 2000
Exhibition History:
2005—Smithsonian Institution, S. Dillon Ripley Center, Washington, D.C.
Current Status Value:
This valuation reflects the time-intensive process, the museum exhibition history, the chilling pre-9/11 imagery, and the significance of the artist’s emotional and prophetic voice.
Part of Series: Standalone masterpiece
Concept Summary
"The Confusion" is a symbol-heavy narrative of emotional misjudgment and unexpected foresight. At first glance, the viewer sees a surreal garden made of bricks—a metaphor for the illusion of permanence in a relationship. Hidden within this landscape is a crying face, representing heartbreak.
But when flipped upside down, a chilling revelation emerges: the Twin Towers of New York City, drawn in precise detail before the events of 9/11 occurred, surrounded by an eerie purple haze. Created in the year 2000 and exhibited at the Smithsonian in 2005, this piece unintentionally foreshadowed national trauma while delivering an intensely personal message about lost love.
This was one of the first museum-displayed works by Jarrett T. Camp and remains a spiritual, emotional, and historical cornerstone in his artistic journey.
The Butterfly Underwater
Title: The Butterfly Underwater
Series: 4 individual works
Medium: Ink and Color Pencil
Size (each): 11 x 17 inches
Total Time Spent: 1 month per piece (~100–120 hours each; ~450 hours total)
Year Created: 2017
Conceptual Summary
This sci-fi series imagines a species of butterflies that migrate through water instead of air — a metaphorical shift that challenges viewers to see ecological change, mythic migration, and evolution differently.
Rather than migrating to Mexico like monarchs, your butterflies travel to the rose rock — a sci-fi mineral destination that echoes both life and beauty under pressure.
Holds strong compositional independence
Contributes to a larger visual migration story
Is executed in meticulous pointillism and fluid ink structure
This is part sci-fi, part climate statement, and part meditative ecosystem-building.
Notes on Value
Series collectors highly value 4-piece suites with conceptual unity
Each work could stand alone or increase value as a full migration arc
The climate/environmental undertone makes it suitable for galleries focused on Earth, extinction, migration, and futurism
A sci-fi allegory on butterfly migration offers storytelling potential for installations or animations
Series: 4 individual works
Medium: Ink and Color Pencil
Size (each): 11 x 17 inches
Total Time Spent: 1 month per piece (~100–120 hours each; ~450 hours total)
Year Created: 2017
Conceptual Summary
This sci-fi series imagines a species of butterflies that migrate through water instead of air — a metaphorical shift that challenges viewers to see ecological change, mythic migration, and evolution differently.
Rather than migrating to Mexico like monarchs, your butterflies travel to the rose rock — a sci-fi mineral destination that echoes both life and beauty under pressure.
Holds strong compositional independence
Contributes to a larger visual migration story
Is executed in meticulous pointillism and fluid ink structure
This is part sci-fi, part climate statement, and part meditative ecosystem-building.
Notes on Value
Series collectors highly value 4-piece suites with conceptual unity
Each work could stand alone or increase value as a full migration arc
The climate/environmental undertone makes it suitable for galleries focused on Earth, extinction, migration, and futurism
A sci-fi allegory on butterfly migration offers storytelling potential for installations or animations
bottom of page